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	<title>Extrapolation Factory</title>
	<link>https://extrapolationfactory.com</link>
	<description>Extrapolation Factory</description>
	<pubDate>Wed, 21 Oct 2026 21:09:01 +0000</pubDate>
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		<title>Futures Gazing</title>
				
		<link>https://extrapolationfactory.com/Futures-Gazing</link>

		<pubDate>Tue, 31 Dec 2024 01:23:45 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

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		<description>Futures Gazing, 2023  Deep Science Ventures (DSV) is redefining how deep tech companies are born through their distinctive "scoping" methodology. Unlike traditional "tech push" approaches that start with a technology seeking a unique opportunity space, DSV's process begins with a clear societal outcome and works backward. Their founders first define the change they want to create, then thoroughly explore the problem space from multiple angles before identifying the optimal technological solution.When DSV launched their innovative Venture Science Doctorate program—designed to teach PhD candidates how to transform their research into impactful companies—they partnered with The Extrapolation Factory to bring their curriculum to life. Our challenge was to create six immersive, playful experiences that would introduce candidates to each phase of DSV's rigorous scoping methodology.By applying a design futures lens to DSV's proven approach, we translated their company-building framework into an engaging educational journey. Each experience was carefully crafted to help doctoral candidates understand and internalize the principles that make DSV's methodology so effective at creating meaningful technological breakthroughs. Research interestsParticipatory futures · Pedagogical tools · SimulationProject creditsProject lead: Chris WoebkenDesign: Grace MervinGame design: Saralee SittigaroonCommissioned by: Deep Science Ventures (Aaron Appleton and Eirini Malliaraki)Participants: Venture Science Doctorate candidates  &#60;img width="2230" height="1260" width_o="2230" height_o="1260" data-src="https://freight.cargo.site/t/original/i/56781f45038b468981ef92fafb82652fd93963f2f006aa1d9702486876561933/scopescape2.png" data-mid="224119783" border="0"  src="https://freight.cargo.site/w/1000/i/56781f45038b468981ef92fafb82652fd93963f2f006aa1d9702486876561933/scopescape2.png" /&#62;
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		<title>Climate Futures</title>
				
		<link>https://extrapolationfactory.com/Climate-Futures</link>

		<pubDate>Wed, 09 Jun 2021 18:44:46 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

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		<description>Climate Futures, 2021  A participatory futures program in which young people in Bronzeville and Rockford imagined neighborhood responses to climate change, with selected ideas developed into full-scale objects by Extrapolation Factory.   “What kinds of climate action do the next generation envision?” This is the question that led the CLIMATE FUTURES project. A group of roughly 30 youth from Bronzeville and Rockford were invited to take part in a future-visioning program, inspired by techniques used by professional futurists. Through the project, they dreamed up social and technological inventions that respond to climate change in ingenious and resourceful ways. Each student group was first introduced to fundamentals of climate science, and then heard from experts in climate justice and energy technology. Following that, students looked for signals of change, mapped out consequences of those signals, and depicted their imagined futures as quotidian streetscapes in their neighborhoods. The Extrapolation Factory translated the student visions into the life-size objects. The project aims to increase awareness about the consequences of climate change, empower youth to express their hopes and dreams for the future of their community, and engage the community in a new conversation about climate change and energy transitions.See more documentation from Bronzeville and Rockford on Flickr. Research interestsClimate research · Infrastructure imagination · Participatory futures · Youth-led designPractice modelParticipation was free for the young people in Bronzeville and Rockford. With support from ComEd, Extrapolation Factory facilitated the program and developed selected youth concepts into full-scale objects.Project creditsA project by: Chris Woebken and Elliott P. MontgomeryDesign assistant: Heer MehtaSite design and 3D texturing: Albert JohnsonPartner: Boys &#38;amp; Girls Club of Rockford and Chicago (Bronzeville)Concept designers: Youth at the Boys &#38;amp; Girls Club of Rockford and Chicago (Bronzeville)Photography: Daris Jasper (Bronzeville) and Martín Hernandez (Rockford)Support: ComEd     &#60;img src="https://freight.cargo.site/w/1600/q/75/i/f1475310cd2568365c131c287b8454d603f657228b68834de4874e3f150330a4/Chicago-Air-Scrubbing-Network-photo.jpg" srcset="https://freight.cargo.site/w/400/q/75/i/f1475310cd2568365c131c287b8454d603f657228b68834de4874e3f150330a4/Chicago-Air-Scrubbing-Network-photo.jpg 400w, https://freight.cargo.site/w/800/q/75/i/f1475310cd2568365c131c287b8454d603f657228b68834de4874e3f150330a4/Chicago-Air-Scrubbing-Network-photo.jpg 800w, https://freight.cargo.site/w/1600/q/75/i/f1475310cd2568365c131c287b8454d603f657228b68834de4874e3f150330a4/Chicago-Air-Scrubbing-Network-photo.jpg 1600w, https://freight.cargo.site/w/2400/q/75/i/f1475310cd2568365c131c287b8454d603f657228b68834de4874e3f150330a4/Chicago-Air-Scrubbing-Network-photo.jpg 2400w" sizes="100vw" width="6000" height="4000" alt="Climate Futures: Air Scrubbing Network prototype installed at a bus shelter." loading="eager" decoding="async" data-src="https://freight.cargo.site/t/original/i/f1475310cd2568365c131c287b8454d603f657228b68834de4874e3f150330a4/Chicago-Air-Scrubbing-Network-photo.jpg" data-climate-image="10" style="width: 597.469px; 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		<title>After Markets Market</title>
				
		<link>https://extrapolationfactory.com/After-Markets-Market</link>

		<pubDate>Wed, 21 Oct 2026 21:09:01 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

		<guid isPermaLink="true">https://extrapolationfactory.com/After-Markets-Market</guid>

		<description>After Markets Market, 2021  After Markets Market was a one-day online workshop and storefront for goods from a post-capitalist future. Participants mapped out alternatives to private ownership and market pricing—such as worker-run firms, public resource councils, and labor-time accounting—and built prototypes from those scenarios. The day ended with the launch of aftermarkets.market (now closed), where makers listed their items and discussed what their objects revealed about life beyond capitalism. Research interestsParticipatory futures · Prototyping · Speculative futuresProject creditsA project by: Chris Woebken and Elliott P. MontgomeryHost: University of Pennsylvania Stuart Weitzman School of Design, PhiladelphiaCurated by: Orkan TelhanParticipants: Claudio Angrigiani, Sean Barrett, Rachel Cole, Faith Mamaradlo, Selina Nie, Echo Wan and Jonathan Zur

  &#60;img width="1568" height="784" width_o="1568" height_o="784" data-src="https://freight.cargo.site/t/original/i/4fecde99d5e0fc9fabcb20697135882d69248548f1978f308906fffc6d9e357e/amm-website.jpg" data-mid="253577594" border="0"  src="https://freight.cargo.site/w/1000/i/4fecde99d5e0fc9fabcb20697135882d69248548f1978f308906fffc6d9e357e/amm-website.jpg" /&#62;The entrance to the After Markets Market, the online shop at aftermarkets.market where each product was listed during the final review.Communal Delivery Drone Charging StationSelina NieThe trigger was the single ship stuck in the Suez Canal in March 2021 and the disruption it caused to the global economy. What if shipping broke down into individual delivery systems, with goods arriving by drone? The station is the infrastructure that would make this plausible: a solar-powered charging point on rooftops, where the solar panels already are, for passing delivery drones to park and recharge. Nie presented it as a miniature model. In the review, Montgomery pointed out that capitalism depends on scarcity, and that a solar economy could turn energy into a communal resource, free to anyone because there is no scarcity left to price.
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/22baacc67d95661113b165fd796205a0e2333c2d20d88b62bc7815fbb9859331/amm-faith-mamaradlo-1.jpg" data-mid="253573571" border="0"  src="https://freight.cargo.site/w/1000/i/22baacc67d95661113b165fd796205a0e2333c2d20d88b62bc7815fbb9859331/amm-faith-mamaradlo-1.jpg" /&#62;

Home Grown MedicinesClaudio AngrigianiA girl in Argentina needed a $2 million medicine to survive, and an influencer spent two weeks fundraising to pay for it. Angrigiani asked why people without the means are left to luck. His device lets a household make its own medicine on demand: engineered plants act as small production plants, signals from a computer drive the reactions, and the plant drips the needed drug into drinking water. Patents and profits stop being the incentive for drug development. Instead the WHO and similar bodies issue a cryptocurrency, the Health Token, to countries and labs according to their contribution to public health. In the review, the discussion turned to how medicine made at home could loosen the tie between health care and employment, and to neighbors trading medicines, or fermenting vaccines locally almost like kombucha.
&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/5678d949052bec5e31a982bc0941dc574f1aaea2789c238b7fb46e8b0173ef79/amm-claudio-angrigiani-1.jpg" data-mid="253573568" border="0"  src="https://freight.cargo.site/w/768/i/5678d949052bec5e31a982bc0941dc574f1aaea2789c238b7fb46e8b0173ef79/amm-claudio-angrigiani-1.jpg" /&#62;

Work/Life AlerterFaith MamaradloWith remote work, commuting and clocking out disappear, and with them the standard shift. Notifications never stop and it gets hard to know when to quit. The alerter tells its user when the workday is over with a flashing light and a sound, played through the cup-shaped speaker. A button gives a receipt, a log of the hours worked.
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/22baacc67d95661113b165fd796205a0e2333c2d20d88b62bc7815fbb9859331/amm-faith-mamaradlo-1.jpg" data-mid="253573571" border="0"  src="https://freight.cargo.site/w/1000/i/22baacc67d95661113b165fd796205a0e2333c2d20d88b62bc7815fbb9859331/amm-faith-mamaradlo-1.jpg" /&#62;

Automatic Task DispatcherEcho WanListed in the market at $19.99 a month per employee. Working remotely, Wan argues, people lose their work-life balance because they are assigned the wrong amount of work. The dispatcher tracks how each worker has completed daily tasks in the past, projects how much they can finish without stress, and hands out that amount each day. Workers plug it into their desktop: the green button lowers the load, the joystick adds tasks, and both teach the device to do better. It allows for different preferences, from people who like a flexible remote schedule to those who do not want to be disturbed outside nine to five. In the review, Montgomery suggested that neuroscience may be a key part of any shift away from capitalism.
&#60;img width="2000" height="1577" width_o="2000" height_o="1577" data-src="https://freight.cargo.site/t/original/i/caf21327045d80e44d0d6c5a7c318779a117038149c1173bd70151962b70907f/amm-echo-wan-1.jpg" data-mid="253573573" border="0"  src="https://freight.cargo.site/w/1000/i/caf21327045d80e44d0d6c5a7c318779a117038149c1173bd70151962b70907f/amm-echo-wan-1.jpg" /&#62;

Serval StateRachel ColeTaking NASA’s $2.9 billion lunar lander contract with SpaceX as its signal, this future pulls government work back from private contractors and makes public service a duty. At 16, each resident receives a state-issued AI dashboard that reads their decisions and movements and recommends the department they should serve in.
Chimp EnclosureJonathan ZurIn a world where implants like Neuralink can train animals to do work that normally takes a person, companies hire chimpanzees for basic jobs because they can be paid in peanuts. This enclosure houses a chimp employee for far less than an employee’s rent or relocation: a small room with a bed, a sapling and green fake fur, the bare minimum for survival, and a console where the chimp receives exercises and assessments to sharpen its working skills. Zur aimed the piece at managers who take pride in keeping spending to a minimum, rather than in paying people enough to live well. In the review, the group asked whether peanuts as wages are a step back toward barter, and whether work done by a chimp still counts as exploitation.
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/733c38b881ee735ad4426cdd178dbc3792f80d703b09ad0d4c77034b2d04b3cf/amm-jonathan-zur-1.jpg" data-mid="253573575" border="0"  src="https://freight.cargo.site/w/1000/i/733c38b881ee735ad4426cdd178dbc3792f80d703b09ad0d4c77034b2d04b3cf/amm-jonathan-zur-1.jpg" /&#62;

Treat DispenserSean BarrettWith autonomous robot police dogs patrolling neighborhoods, hackers build stealthy digital treat dispensers to distract or bribe them.
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ca59a776ab32af6bfea702dec5d9a15ee37f7f64bd1abb7babc0992d7134e6c9/amm-sean-barrett-1.jpg" data-mid="253573576" border="0"  src="https://freight.cargo.site/w/1000/i/ca59a776ab32af6bfea702dec5d9a15ee37f7f64bd1abb7babc0992d7134e6c9/amm-sean-barrett-1.jpg" /&#62;
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		<title>What if Columbus</title>
				
		<link>https://extrapolationfactory.com/What-if-Columbus</link>

		<pubDate>Tue, 03 Sep 2019 18:28:05 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

		<guid isPermaLink="true">https://extrapolationfactory.com/What-if-Columbus</guid>

		<description>What if Columbus, 2019  “What if Columbus” invites members of the public to propose visions for local city infrastructure in Columbus, Indiana. A kiosk installed on the sidewalk where Washington Street meets 2nd Street at an active corner right across from City Hall encourages members of the public to use the kiosk to contemplate, articulate, and share future visions for Columbus. Each vision generated by members of the public, depicted as a short sentence and image, will be digitally shared with the mayor's office with the intention that this database of visions offers decision-makers inspiration and insight into the public's desirable futures.See more documentation on Flickr.

 Research interestsInfrastructure imagination · Participatory futures · Tactical mediaProject creditsA project by: Chris Woebken and Elliott P. MontgomeryDesign assistant: James Ryan WestphalDevelopment: Mike HeaversFabrication: Ignition ArtsCommissioned by: Exhibit Columbus (Washington Street Civic Projects)Curated by: Anne SurakFuture visions: Members of the publicPhotography: Hadley FruitsDrone footage: Brodie Kerst   
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		<title>Special Programs Think Tank Tallinn</title>
				
		<link>https://extrapolationfactory.com/Special-Programs-Think-Tank-Tallinn</link>

		<pubDate>Tue, 20 Oct 2026 19:42:00 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

		<guid isPermaLink="true">https://extrapolationfactory.com/Special-Programs-Think-Tank-Tallinn</guid>

		<description>Special Programs Think Tank Tallinn, 2019  The Extrapolation Factory ran this five-day workshop at the Estonian Academy of Arts in Tallinn from July 29 to August 2, 2019, as part of the EKA Summer Academy. Participants formed small experimental think tanks to test what a think tank run by the public, rather than by experts alone, might produce. Members of the Estonian Foresight Centre joined us for the launch and introduced their methods. Starting from the centre’s research on the future of work, each think tank developed four alternate scenarios for 2035, set in a specific place, and made them tangible as images, objects and printed matter for a final presentation.See more documentation of the workshop on Flickr. Research interestsParticipatory futures · PrototypingProject creditsA project by: Chris Woebken and Elliott P. MontgomeryEssay: Elliott P. Montgomery and Chris WoebkenHost: Estonian Academy of Arts, EKA Summer Academy 2019 “Possible Futures!”Partner: Estonian Foresight CentreResearch, scenarios and artifacts: Workshop participantsPhotography: Diana OlesjukSupport: European Regional Development Fund, through the EKA Summer Academy

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What if Think Tanks Were Operated by the Public?Essay by Elliott P. Montgomery &#38;amp; Chris WoebkenThe Extrapolation Factory is the studio we formed in 2012, with an interest in developing a participatory practice that uses design to facilitate debate about current issues. We launched our first project in the format of a publicly organized workshop to envision future scenarios embodied as provocative objects for sale in a discount store in Brooklyn, New York.From there, we’ve evolved to tell stories of possible versions of futures in many ways, leveraging design as a visual language that people are accustomed to experiencing in their daily life. We’ve adapted future narratives as stores, signs, consumer products, advertisements, businesses, junk mail, flyers and more.This practice stems from a rich history in future studies. Some of the most inspiring and formative work emerged in the 1950s, led by the RAND Corporation and their explorations around game theory and systems theory, driven in part by Herman Kahn. The RAND Corporation was looking at ways to envision multiple scenarios and then make plans of action to be deployed if any of these possibilities became reality.There were several research groups that emerged over the following decades which evolved these ideas, translating system scenarios into experiential futures. The Manoa School of Futures Studies at the University of Hawaii is one of the programs that spearheaded this exploration, with heavy influence from the former program director, Jim Dator. Dator’s work and that at the University of Houston pioneered some of the early approaches to teaching futures.In the commercial and policy sectors, Royal Dutch Shell and numerous political think tanks began to explore potential impacts of futures studies, and to communicate scientific research from modeling to social impact and recommendations for policy making. These practices have become deeply ingrained in industry and common practice around the world.We're particularly interested in developing methods to create and express futures in participatory and accessible ways. This approach is preceded by numerous others such as Robert Jungk, who developed futures workshops as early as the 1970s.Fundamental to our view of future studies is the premise that we can not predict the future in social contexts. Any effort to predict social futures is probably somewhat misguided unless it’s centered in statistical terms. Most futures studies practitioners and researchers focus instead on envisioning hypotheticals. We also believe that without having specific visual narratives, it's nearly impossible to make plans to work toward those visions, to build consensus or to discuss or debate those visions. The work of futurists in the present really hinges on the scrutiny of events that are taking place in the recent past, offering a sense of what might be possible. Futurists assemble those events, also called signals, into visions that help us see possible versions of futures that we have not seen. Additionally, we operate under the principle that there is no singular future - that futures always come in multiples. Following, we use the plural version of the word ‘future’. Every individual sees futures differently based on their own perspectives and biases. Each person has numerous versions of futures that they can envision. We believe this multiplicity of future narratives should be introduced to conversations on planning as a constructive and necessary step, affording a representative look at societal desires. From here, we can compare, contrast and juxtapose the different ways our world could transform over time.The Extrapolation Factory has run hundreds of futures workshops at this point, and we’ve noticed that people find relief in thinking of numerous futures, though difficult at first. This approach allows for negotiation between many voices, inspiring conversation and expression. Workshop participants often have empowering realizations as they go through these experiences. Many participants leave feeling an increased sense of agency over their relationship to possible futures, and that the methods and principles that we experiment with in the workshops are potentially useful in their home and work contexts.Our practice comes from an overlapping between this field of future studies and the work that's often done in think tanks focusing on foresight and the connection to design. In 2006, Tony Dunne and Fiona Raby launched a program at the Royal College of Art, which proposed that design might serve purposes beyond problem solving and consumer good creation. They proposed that design be used to ask critical questions of the systems around us. They initially called this approach critical design. Subsequently, they explored framings such as speculative design and discursive design. Each of these orientations of design moved away from creating solutions, and opened up the realm of possibility for what design might be capable of.As the speculative design community starts to find linkages between their own work and the work of foresight strategists and futures researchers, a new field seems to be emerging, which we call ‘design futures’. Design futures is essentially the integration of this visual approach to envisioning alternate possibilities through the creation of immersive visual media, objects, artifacts, images, film and video.Through The Extrapolation Factory, we see the opportunity to broaden the spectrum of people who do design futures and to make these approaches accessible to diverse communities. Through workshops that break down futures approaches into clear steps we experiment with ways to make these ideas more accessible.For our latest workshop at the Estonian Academy of Arts, we introduced a challenge to question the operation and procedures being used by present-day think tanks. Many think tanks in the modern era have shifted away from their initial premise, which was to serve as non-partisan, expert groups who research and then propose strategic pathways that could lead to policy advancement with the objective of bettering society. In recent decades though, many think tanks have shifted to serving specific interests put forth by influential individuals and special interest groups with very large amounts of money. The result is an ecosystem of think tanks that are much more partisan, and therefore, don’t serve the role of helping diverse groups come to agreements.In this project, we set up an experiment in which we questioned the exclusive expert staffing of think tanks. Although experts have deep knowledge, they don't necessarily represent the perspectives of the broader public. We were interested to see if a publicly operated think tank might democratize the narrative outcomes that influence policy. We asked the participants to form small experimental think tanks and to run a project based on some prior work by the Estonian Foresight Centre. We were privileged to have members of the centre join us for the launch of the project and introduce us to their processes and methods.We set the participants off with a portfolio of methods, tools and approaches to investigate a topic originally researched by the Estonian Foresight Centre. The goal was to imagine scenarios for futures of work in 2035. The projects that you see in this publication are the outcomes of this experimental effort. Each one is comprised of four alternate scenarios, developed through research around the issues that may transform work in specific geographic locations. The students adapted the information they found through their research to help them visualize ways that people may support themselves in some version of 2035.Workshop scenariosThe following fictional scenarios for work in 2035 were created by the participating think tanks.
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		<title>Metro Test Zones</title>
				
		<link>https://extrapolationfactory.com/Metro-Test-Zones</link>

		<pubDate>Tue, 03 Sep 2019 18:28:34 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

		<guid isPermaLink="true">https://extrapolationfactory.com/Metro-Test-Zones</guid>

		<description>Metro Test Zones, 2019  Through Metro Test Zones, The Extrapolation Factory is prototyping future imaginaries for the city’s green urban commons with the help of a multidisciplinary group of scientists, public servants, designers and actors. This living experiment uses methods from academic futurism and performative simulation to shape and animate hypothetical city infrastructures and social dynamics 20-40 years from now. Through this process, we're shaping important discussions about how New York's green spaces could look, feel and function differently as a result of the social, technological, ecological, economic and political changes afoot.  In the first of two phases, participants collaboratively envisioned speculative scenarios using futures methods; scanning for disruptors, developing scenarios and visualizing touchpoints. The Extrapolation Factory synthesized and refined the resulting scenarios for use in a public-facing performative simulation. Our group of experts was led by actors as they attempted to embody their future scenarios at The Shed, a performing arts space in the new Hudson Yards development. These live-action simulations took place in a highly interactive custom-built set and invited a public discourse about policy and design of city parks. The Metro Test Zones project demonstrates the value of performative simulation as a necessary step for envisioning social futures, building on a rich history of theatrical prototyping such as Augusto Boal's Theatre of the Oppressed.See more documentation on Flickr.

 Research interestsClimate research · Infrastructure imagination · Participatory futures · Prototyping · SimulationProject creditsA project by: Chris Woebken and Elliott P. MontgomeryDesign assistants: Heer Mehta, Natalie Tillen and James Ryan WestphalActors: Zenzele Cooper, Benjamin Holbrook, John Peery, Jasmine Schutt-VanMeveren and Candace ThompsonCommissioned by: The Shed, through its Open CallHost: The Shed, New YorkParticipants: Sam Adelberg, Eduarda Aun, Alisha Bhagat, Wendy Brawer, Clarisa Diaz, Jeffrey Geiringer, Alice Gong, Elizabeth Henaff, Christine Kim, Neba Noyan, Ayodamola Okunseinde, Leticia Oxley, Oscar Salguero, Alice Shay, Philip Silva, Tara Smith, Jonas Voigt, Hanna De Vries and Marina ZurkowPhotography: Andy Jackson for The ShedSupport: Graham Foundation (public programs grant)Special thanks: Jesse Firestone and Claudia Norman   
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		<title>Sense Objects</title>
				
		<link>https://extrapolationfactory.com/Sense-Objects</link>

		<pubDate>Fri, 02 Nov 2018 05:02:50 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

		<guid isPermaLink="true">https://extrapolationfactory.com/Sense-Objects</guid>

		<description>Sense Objects, 2018  Sense Objects was the 2018 workshop in the Extrapolation Foundry series at Ginkgo Bioworks. Co-created by Chris Woebken and Yasaman Sheri, then Creative Resident at Ginkgo Bioworks, it was commissioned for Ginkgo Ferment.See more documentation on Flickr.


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&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c4f7f9e354a0a0d91cb25d597eb334016031e7be57f23f92ac57f7b78836f34f/IMG_3895.jpg" data-mid="27586552" border="0"  src="https://freight.cargo.site/w/1000/i/c4f7f9e354a0a0d91cb25d597eb334016031e7be57f23f92ac57f7b78836f34f/IMG_3895.jpg" /&#62;
 Research interestsBiodesign · Participatory futures · Sensory explorationProject creditsProject lead: Chris WoebkenIn collaboration with: Yasaman Sheri, Creative Resident at Ginkgo BioworksDesign assistants: Autumn Ahn, Jingwei Deng, Jierui Fang, Sarah Garrison, Sebastian Kamau, Eytan Levi Michael, Molly Mason, Kallirroi Retzepi and Nitzan ZilbermanCommissioned by: Christina Agapakis and Kit McDonnell for Ginkgo Ferment  
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		<title>Pull-tab Alley</title>
				
		<link>https://extrapolationfactory.com/Pull-tab-Alley</link>

		<pubDate>Wed, 25 Jul 2018 20:54:23 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

		<guid isPermaLink="true">https://extrapolationfactory.com/Pull-tab-Alley</guid>

		<description>Pull-Tab Alley, 2018  What items might people sell or seek in future informal economies?  For years, urbanites have co-opted public surfaces as unsanctioned message boards by posting pull-tab ads selling or seeking various things. On the evening of July 29th, 2018 we transformed Cortlandt Alley into an analog messaging board from the future, covered in pull-tab postings that depict artifacts from hypothetical futures.  The public was invited to create fictional pull-tab advertisements using a custom futuring process, and then leave their vision on the walls of Cortlandt Alley. Mmuseumm’s exhibitions of sociological objects, offered inspiration for stories behind the objects envisioned. The original plan was for Extrapolation Factory staff to select several pull-tab depictions for 3-D printing and donation to the Mmuseumm collection.

 Research interestsParticipatory futures · Prototyping · Tactical mediaProject creditsA project by: Chris Woebken and Elliott P. MontgomeryDesign assistants: Radhika Agarwal and Dierdre SheaCurated by: Alex KalmanHost: Jacob Ford, MmuseummPull-tab postings: Members of the publicPhotography: Julian Goldman        &#60;img width="3964" height="1881" width_o="3964" height_o="1881" data-src="https://freight.cargo.site/t/original/i/e73ed1183bb52ceda7904c3d14bbf423610009badcf0aaf7fd5c7186a9d84173/image1-1.jpeg" data-mid="27576801" border="0"  src="https://freight.cargo.site/w/1000/i/e73ed1183bb52ceda7904c3d14bbf423610009badcf0aaf7fd5c7186a9d84173/image1-1.jpeg" /&#62; &#60;img width="3931" height="1856" width_o="3931" height_o="1856" data-src="https://freight.cargo.site/t/original/i/0994589573cf34994a7265faf01b9bf998ef816ca43eb68c852b349a583487f4/image1.jpeg" data-mid="27576802" border="0"  src="https://freight.cargo.site/w/1000/i/0994589573cf34994a7265faf01b9bf998ef816ca43eb68c852b349a583487f4/image1.jpeg" /&#62;       &#60;img width="5000" height="3754" width_o="5000" height_o="3754" data-src="https://freight.cargo.site/t/original/i/a36b77e9ef280071eb0084a7065e5855cfe35b6d5d18c36269ff8457c93fdd75/P1070396_o.jpg" data-mid="27576806" border="0"  src="https://freight.cargo.site/w/1000/i/a36b77e9ef280071eb0084a7065e5855cfe35b6d5d18c36269ff8457c93fdd75/P1070396_o.jpg" /&#62; 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		<title>Testing Hypotheticals</title>
				
		<link>https://extrapolationfactory.com/Testing-Hypotheticals</link>

		<pubDate>Thu, 19 Apr 2018 14:06:59 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

		<guid isPermaLink="true">https://extrapolationfactory.com/Testing-Hypotheticals</guid>

		<description>Testing Hypotheticals, 2018  The prototype for Testing Hypotheticals presents the results of a two-day workshop that brought together a diverse group of residents from Queens, New York to imagine and explore alternate futures for their community.&#38;nbsp; Based on a belief in democratizing stories about futures, the goal of the project is to empower individuals—regardless of their training, position, or knowledge —to think critically about the futures we’re presented with and then to design our own preferable futures.The Extrapolation Factory organized a new workshop at the Queens Museum, the site of the 1964 World’s Fair. Building off the history of the site as a forum for top-down visions of the future, The Extrapolation Factory worked with community members to explore ways to enhance their own neighborhoods, unconstrained by tradition, budget, or existing technology. Ideas emerging from the group included a reimagined subway system with an onboard community garden, a recycling system that rewards good participants by reallocating recycled raw material back to them based on need, and a community system of outdoor meditation spaces connected to the underground matrix of plant roots.  The project was piloted at the Queens Museum with participants from the New New Yorkers program. The workshop was documented by BRIC TV. The designed outcomes were exhibited at the 2018 Milan Design Week and the project was awarded the grand prize at the Lexus Awards ceremony.See more documentation on Flickr.

 Research interestsInfrastructure imagination · Participatory futures · Prototyping · SimulationProject creditsA project by: Chris Woebken and Elliott P. MontgomeryDesign facilitators: Ignacio Garnham Brandes, Kevin Caldwell, Yuxin Cheng, Jenny Liu, Anh-ton Tran and Jonas VoigtActors: John Peery, Alexis Powell and Candace ThompsonCurated and mentored by: FormafantasmaHost: Queens Museum, New New Yorkers program (Judy Yenti Chu, Guido Garaycochea and Nung-Hsin Hu)Participants: Jaime Cho, Sharlene Chou, Chuankui Jiang, Lucas Contino, Chuck Kuan, Susan Lau, Nancy Man, Estella Natal, Linda Rose, Mauricio Ruiz, Francie Scanlon, Dominic Wong, Emily Wu, Jordan Wu and Way ZenDocumentation: Emmanuel Alexandre, Mauro Basa, Dan Cangelosi, David Francois, Charlie Hoxie, James Levine and Ilya Shnitser    
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		<title>Your Dream Attraction</title>
				
		<link>https://extrapolationfactory.com/Your-Dream-Attraction</link>

		<pubDate>Fri, 06 Sep 2019 16:23:38 +0000</pubDate>

		<dc:creator>Extrapolation Factory</dc:creator>

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		<description>Your Dream Attraction, 2017  Coney Island was the incubator for Manhattan’s ability to create synthetic urban experiences.– Rem Koolhaas, Delirious New YorkInspired by Koolhaas's observation, we setup an interactive futuring station on Coney Island's historic boardwalk. This pop-up installation explored how amusement rides have historically served as experimental testbeds for future urban experiences. Engaging with visitors, we collaboratively imagined and designed fictional attractions. Each participant received a personalized postcard-ticket in the mail featuring their envisioned ride, creating a lasting connection between Coney Island's innovative past and its speculative future.

 Research interestsInfrastructure imagination · Interaction design · Participatory futuresProject creditsProject lead: Chris WoebkenCo-facilitation and design: Isabel Prade, designer in residenceFictional attractions: Visitors to the Coney Island boardwalk  &#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9cb48d72350e8ad94b607b3f6a2c608cf80b63f296a6ae320c1f17207fac61f9/28a87de5-174c-4a27-ad9c-68d9d128aa43_rw_1920.jpg" data-mid="224249014" border="0"  src="https://freight.cargo.site/w/1000/i/9cb48d72350e8ad94b607b3f6a2c608cf80b63f296a6ae320c1f17207fac61f9/28a87de5-174c-4a27-ad9c-68d9d128aa43_rw_1920.jpg" /&#62;    
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